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Our journey began on Saturday after a special meeting on Friday before the Al-Faran train in the old city of Marrakech. The meeting was attended by a group of researchers and artists interested in the environmental and social issues, Amidar and Jaradah. It is strange coincidence that the same encounter knew the artist of Jarada Muhsin The story of the mine and the tales of death with beauty and realism characteristic, where coal, poverty and death and many human experiences are seen in the objects and the drilling tools presented to visitors to his exhibition as elements of death in the region, spoke of Mohsen father father, who was a worker in the company of Morocco, A death that surrounded the workers at every moment and when, working in the mine meant either direct death through an accident or death The same meeting defined the participation of Omar, a former fighter and detainee, and a researcher who, in the experience of a struggle against a mining company for more than eight years, claimed the natural and social rights of the residents in the water and land that the company had unjustly trampled upon, and some of their economic rights By virtue of the existence of the mine on their historic land, the right to operate the mine or to create some mechanisms of participatory work remains an easy task that the company and the state must reach easily. The meeting was attended by the director Nader Bouhamoush, an anarchist intellectual who defends marginalized and marginal issues, tries to be the voice of those who do not have a voice within society, and a distinguished director who employs contemporary anti-liberal ideologies in the field of economics, politics and society to produce documentaries that reveal mechanisms of domination and hegemony New, find in his works clear features of the ideas of James Scott, and Cropper and Katari Spivak all cost of living and freedom.